ARTES DE NOVAS MÍDIAS EM ESPAÇOS LIVRES PÚBLICOS: UMA REVISÃO INTEGRATIVA DE LITERATURA

##plugins.themes.bootstrap3.article.main##

Daniel Costa Vianna Mucciolo
Andréa Vieira Zanella

Resumo

As artes de novas mídias vêm ganhando espaço no meio artístico e sendo utilizada na arte urbana, com isso é preciso compreender como o meio acadêmico está abordando este tipo de manifestação. Por isso, a revisão de literatura integrativa apresentada neste artigo foi desenvolvida com o objetivo de tecer um panorama e analisar a produção científica sobre as artes de novas mídias voltadas para os espaços livres públicos. A pesquisa foi realizada em artigos divulgados nas bases de dados Web of Science e SCOPUS, através da interseção das palavras-chaves que englobam os espaços livres públicos e as artes de novas mídias. A triagem dos artigos resultou na leitura de 74 artigos, os quais foram agrupados em diversas categorias: arte sonora, artivismo, telas urbanas, caminhas sonoras, mídia locativa e realidade aumentada, diferentes temporalidades, interatividade e participação, robótica e estudos quantitativos. A pesquisa constatou o interesse de diversas áreas do saber pelo tema, a utilização de diferentes formatos artísticos para intervenção urbana, o dinamismo do campo que acompanha as inovações tecnológicas e que por diferentes formas a esfera pública é afetada pelas produções analisadas.

##plugins.themes.bootstrap3.article.details##

Como Citar
MUCCIOLO, D. C. V. .; ZANELLA, A. V. ARTES DE NOVAS MÍDIAS EM ESPAÇOS LIVRES PÚBLICOS: UMA REVISÃO INTEGRATIVA DE LITERATURA. Boletim de Conjuntura (BOCA), Boa Vista, v. 16, n. 47, p. 241–263, 2023. DOI: 10.5281/zenodo.10202132. Disponível em: https://revista.ioles.com.br/boca/index.php/revista/article/view/2649. Acesso em: 3 jul. 2024.
Seção
Artigos

Referências

ABRANTES, E. “Perceiving, Navigating and Inhabiting: Performance design through sonic strategies”. Performance Research, vol. 26, n. 3, 2022.

APOLONIO, L.; GARRIDO-ROMÁN, M. “La estética de la escucha: diálogos sensoriales, lúdicos y poéticos con la ciudad”. Anales del Instituto de Investigaciones Estéticas, vol. 43, n. 119, 2021.

BAE-DIMITRIADIS, M. “An anticolonial land-based approach to urban place: Mobile cartographic stories by refugee youth”. Studies in Art Education, vol. 61, n. 2, 2020.

BANDT, R. “Designing Sound in Public Space in Australia: a comparative study based on the Australian Sound Design Project's online gallery and database”. Organised Sound, vol. 10, n. 2, 2005.

BEHKALAM, K.; EBELING, K. “The augmented archive: history in real time: an archaeology of images of the Egyptian revolution”. International Journal of Communication, vol. 14, 2020.

BEHRENS, M. “Sentiment architectures as vehicles for participation”. Architectural Design, vol. 87, n. 1, 2017.

BOJ, C.; DÍAZ, D. “The hybrid city: Augmented reality for interactive artworks in the public space”. The Art and Science of Interface and Interaction Design, vol 141, 2008.

BUTLER, T. “A walk of art: the potential of the sound walk as practice in cultural geography”. Social and Cultural Geography, vol. 7, n. 6, 2006.

CAMERON, R.; SMOLIK, A. “[FIHSIHKAHLVRRCHUWAHL]: prototyping architectural user-interfaces in urban public space”. International Journal of Arts and Technology, vol. 10, n. 4, 2017.

CARMONA, S. J. “Componerse con la ciudad: los paseos sonoros de Hildegard Westerkamp, Christina Kubisch y Janet Cardiff”. Revista Ártemis, vol. 30, n. 1, 2020.

CARPIO, G. G. “Racial projections: cyberspace, public space, and the digital divide”. Information, Communication and Society, vol. 21, n. 2, 2018.

COLANGELO, D. “We live here: Media architecture as critical spatial practice”. Space and Culture, vol. 24, n. 4, 2021.

CRONIN, M. A.; GEORGE, E. “The why and how of the integrative review”. Organizational Research Methods, vol. 26, n. 1, 2020.

DELL’ARIA, A. “From rallying cry to dysfunctional site: surveying participation in HEWILLNOTDIVIDE.US”. International Journal of Performance Arts and Digital Media, vol. 15, n. 1, 2019.

DELL'ARIA, A. “Enchanted encounters: moving images, public art and an ethical sense of place”. Architecture_MPS, vol. 20, n. 1, 2021.

FRANCISCO, M. S. et al. “Connecting citizens with urban environments through an augmented reality pervasive game”. Multimedia Tools and Applications, vol. 82, n. 9, 2023.

GALLOWAY, K. “Curating the aural cultures of the Battery: Soundwalking, auditory tourism and interactive locative media sound art”. Tourist Studies, vol. 18, n. 4, 2018.

GRAHAM, B.; COOK, S. Rethinking Curating, Art After New Media. Cambridge: MIT Press, 2010.

GRAHAM, M.; ZOOK, M.; BOULTON, A. “Augmented reality in urban places: contested content and the duplicity of code”. Transactions of the Institute of British Geographers, vol. 38, n. 3, 2012.

GRAU, O. MediaArtHistories. Cambridge: MIT Press, 2010.

GROTH, S. K.; SAMSON, K. “Sound art situations”. Organised Sound, vol. 22, n. 1, 2017.

HOGGENMUELLER, M. et al. “Self-moving robots and pulverised urban displays: status quo, taxonomy, and challenges in emerging pervasive display research”. Personal and Ubiquitous Computing, vol. 26, 2022.

KAMINSKA, A. “Site-Specificity in the Postsocialist City: Mediation and Memory in the Work of Polish Artists Rafał Jakubowicz and Aleksandra Polisiewicz”. Space and Culture, vol. 16, n. 4, 2013.

KUHNEN, A.; MOREIRA, A.; PERES, P. “Open spaces (Espaços livres públicos)”. In: CAVALCANTE, S.; ELALI, G. (orgs.). Psicologia ambiental: Conceitos para a leitura da relação pessoa-ambiente. Petrópolis: Editora Vozes, 2018.

KUMRA, R. “Hijacking the urban screen: Trends in outdoor advertising and predictions for the use of video art and urban screens”. First Monday, vol. 4, 2006.

LACEY, J. “Sonic Placemaking: Three approaches and ten attributes for the creation of enduring urban sound art installations”. Organised sound, vol. 21, n. 2, 2016.

LAMAZARES, A. “Exploring São Paulo's Visual Culture: Encounters with Art and Street Culture along Augusta Street”. Visual Resources, vol. 30, n. 4, 2014.

LEMOS, A. “Mídias locativas e territórios informacionais.” In: SANTAELLA, L.; ARANTES P. (eds.) Estéticas tecnológicas. Novos modos de sentir. São Paulo: Editora Educ, 2008.

LEUNG, I. “Artificial Landscape: in search of publicness through urban spectacle in Hong Kong”. Architecture_MPS, vol. 21, n. 1, 2021.

LIVINGSTON, H. “Listening in the rose garden”. Leonardo Music Journal, vol. 26, 2016.

MACDONALD, G. “Bodies moving and being moved: Mapping affect in Christian Nold's Bio Mapping”. Somatechnics, vol. 4, n. 1, 2014.

MACHADO, A. Arte e mídia. Rio de Janeiro: Editora Zahar, 2007.

MARCHESE, F. T. Media art and the urban environment: Engendering public engagement with urban ecology. Cham: Springer International Publishing, 2015.

MCGARRIGLE, C. “The construction of locative situations: locative media and the Situationist International, recuperation or redux?”. Digital Creativity, vol. 21, n. 1, 2010.

MCQUIRE, S. The media city: Media, architecture and urban space. London: Sage, 2008.

MENDES, M.; ÂNGELO, P.; CORREIA, N. “Hug@ ree: An ARTiVIS experience for sustainability”. Leonardo, vol. 47, n. 5, 2014.

MUÑOZ, M. H. “Arte sonoro y esfera pública en Alemania: el caso de bonn hoeren”. Arte y Políticas de Identidad, vol. 25, 2021.

NEVÁREZ, J. “Art and social displays in the branding of the city: Token screens or opportunities for difference?”. First Monday, vol. 4, 2006.

OBERMAN, T. et al. “Using virtual soundwalk approach for assessing sound art soundscape interventions in public spaces”. Applied Sciences, vol. 10, n. 6, 2020.

OUZOUNIAN, G. “Recomposing the City: A Survey of Recent Sound Art in Belfast”. Leonardo Music Journal, vol. 23, 2013.

PAPACHRISTOU, D. “Locative Media Walks: Tecnologías de geolocalización como medios para la superación de una historiografía hegemónica”. SOBRE: Prácticas Editoriales En Arte Y Arquitectura, vol. 8, 2022.

PAPASTERGIADIS, N. et al. “Mega screens for mega cities”. Theory, Culture and Society, vol. 30, n. 7, 2013.

PARK, L. S.; BENAYOUN, M. “A Cautionary Tale of Urban Media Art: Media-Bait, Planned Censorship and Its Repercussions”. Leonardo, vol. 53, n. 2, 2020.

PATERAKIS, A. B.; PRICE, A.; KAPAN, H. “Walking the walk and the impact of space and place on new media art”. Studies in Conservation, vol. 61, n. n. 2, 2016.

PAUL, C. “Digital art/public art: governance and agency in the networked commons”. The art and science of interface and interaction design, vol 141, 2008.

POP, S. et al. What Urban Media Art Can Do: Why, When, Where and How? Estugarda: Avedition, 2016.

PRISMA. “PRISMA Flow Diagram”. PRISMA [2020]. Disponível em: . Acesso em: 29/03/2023.

QUARANTA, D. Beyond new media art. Bréscia: Link Editions, 2014.

RADICCHI, A. et al. “Sound and the healthy city”. Cities and Health, vol. 5, n. 1, 2021.

RUBIOLO, G.; FERNÁNDEZ, A. S.; GONZÁLEZ, M. J. “El artivismo digital como visibilizador de femicidos/feminicidios durante el aislamiento social, preventivo y obligatorio”. Investigaciones feministas, vol. 13, n. 1, 2022.

SALGADO, L. A. Z. Arte digital. Curitiba: Editora InterSaberes, 2020.

SANTOS, M. Metamorfoses do espaço habitado: fundamentos teóricos e metodológicos da geografia. São Paulo: Editora da USP, 2021.

SEAY, J. “Engaging the audience: A primer for sound art in public spaces”. Leonardo Music Journal, vol. 24, n. 1, 2014.

SENNETT, R. O declínio do homem público: as tiranias da intimidade. Rio de Janeiro: Editora Record, 2015.

SHEAHAN, J.; DAVIES, H.; HJORTH, L. “The Art of Tacit Learning in Serious Location-Based Games”. Frontiers in Education. vol. 6, 2021.

SHEN, D. et al. “Sound design of guqin culture: Interactive art promotes the sustainable development of traditional culture”. Sustainability, vol. 14, n. 4, 2022.

SILLERAS-AGUILAR, R. “¡TIC, TOC, TAC, AI! Arte Sonoro, Tecnología y Ciudad en el siglo XXI”. Revista Nodo, vol. 16, n. 31, 2021.

SIRI, H,; KHAIRANI, M. “The Evolution and Culture of Digital Contemporary Photography: A Literature Review: A Literature Review”. Advances in Humanities and Contemporary Studies, vol. 2, n. 2, 2021.

SORIA-MARTÍNEZ, V. “Resounding Memory: Aural Augmented Reality and the Retelling of History”. Leonardo Music Journal, vol. 27, 2017.

SUN, C. et al. “Soundwalk path affecting soundscape assessment in urban parks”. Frontiers in Psychology, vol. 13, 2023.

TIKKA, H. et al. “Provoking the city—touch installations for urban space”. Digital Creativity, vol. 22, n. 3, 2011.

TITTEL, C. “Sound art as sonification, and the artistic treatment of features in our surroundings”. Organised Sound, vol. 14, n. 1, 2009.

TRIBE, M.; JANA, R.; GROSENICK, U. New media art. Los Angeles: Taschen, 2006.

VEIGA, P. A. “Curating the Everywhere Museum of Everything”. Digital Creativity, vol. 31, n. 3, 2020.

VERHOEFF, N. “Urban interfaces: The cartographies of screen-based installations”. Television and New Media, vol. 18, n. 4, 2017.

VOGEL, C. “Un art sonore situé: le sens et l’espace”. Etnográfica - Revista do Centro em Rede de Investigação em Antropologia, vol. 17, n. 3, 2013.

WIETHOFF, A. et al. “A Media Architecture Approach for Designing the Next Generation of Urban Interfaces”. IxD&A, vol. 48, 2021.

WILKEN, R. “A community of strangers? Mobile media, art, tactility and urban encounters with the other”. Mobilities, vol. 5, n. 4, 2010.

YA, X. et al. “Interdisciplinary Talent Training Model of New Media Art Major at Xi’an University: A Literature Review”. Global Journal of Arts, Humanities and Social Sciences, vol. 11, n. 7, 2023.

ZIELINSKA-DABKOWSKA, K. M.; XAVIA, K. “Global approaches to reduce light pollution from media architecture and non-static, self-luminous LED displays for mixed-use urban developments”. Sustainability, vol. 11, n. 12, 2019.